Thanks for sharing your knowledge. C7 = C - E - G - Bb Bb instruments are tenor & soprano sax, clarinet, trumpet Therefore the progression AU 4 - Autumn Leaves : B section This provides the wonderful wavelike motion of the melody, always remaining within the two set boundary pitches : C and the E below it. I appreciate your sharing! But look at this ! Therefore, for improvisation use the G major scale over the first 4 bars of the A section, and the E harmonic minor over the second 4 bars of the section. AU 4 - Autumn Leaves : B section Also do you have a lesson on embellishing melodies? Can’t find the Autumn Leaves chord changes print out. This sharing of both essential chord tones in two dominant chords is such a close musical bond that in Jazz the two chords are interchangeable. Just running through it at some places in a scale, broken chord or small step can be very effective. I think a dedicated lesson on Walking Basslines would be best and then we can apply the theory to this tune and also some other standards. Let us start with the first one. Audio 13 Here is the wikipedia page for “Rubato” – en.wikipedia.org/wiki/Tempo_rubato – you could also search Google and YouTube for more answers. But the most prominent aspect of the melody can be defined with one single word : guide tones ! But the essential chord tones for the two dominant 7th chords are the same ! However the dominant B7 chord converts the F#ø chord before it as the IIø chord in an E minor IIø - V7 - Im segment. Below you see the scale-tone chord progression for the E harmonic minor scale. They are in most cases also chord tones and tend to move gradually up or down, providing direction and meaning as the melody unfolds. So try that out too on some songs you work on. ( Up - Top - Jazclass Links) Thanks again! Usually played in the key of G Minor, the tune follows a 32 measure AABC form and contains both major and minor 251 progressions. You are exactly right ! We will then create both a slow tempo, ballad arrangement incorporating right hand scale runs and other fills. (Down - Up - Top) The three most common 7th chord qualities in Jazz are the major 7th, the dominant 7th, and the minor 7th chords. You need not sustain each and every guide tone. Essential chord tones and Tritone substitution When I try to download it, I get the transcription. Recapping the things discussed in this article : Eb instruments Autumn Leaves Lead sheet Melody Scales notation The B section features two II-V-I progressions. I would recommend that you check out the course on Altered Harmony & Upper Structure Triads: pianogroove.com/jazz-piano-lessons/altered-harmony-upper-structure-triads/. AU 8 - Downloads Do what Johnny Mercer did in the melody : sustain a single note over this sequence. ( Up - Top - Jazclass Links) Tritone substitution ? While other instruments, such as sax, trumpet, and vocals, often play the melody on a gig, you never know when you’ll be called up to play the head in or out of a tune. The illustration below tells the complete story.
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